Movies: Bill Viola

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrus...

Using the words and ideas of great filmmakers, from archival interviews with Alfred Hitchcock and Robert Bresson to new interviews with Mike Leigh, David Lynch, and Jonas Mekas, Oscar-winning filmmaker Chuck Workman shows what these filmmakers and ot...

Gerald Fox’s film documents Bill Viola and his wife and close collaborator Kira Perov’s odyssey to create two permanent video installations for London’s St Paul’s Cathedral, Martyrs and Mary, the first art commissions of their kind to be installed in...

Created by Bill Viola and Kira Perov and opened in May 2014, Martyrs shows four individuals, across four colour vertical plasma screens, being martyred by the four classical elements. The work has no sound. It lasts for seven minutes. Martyrs was jo...

Motivated by the love that bound him to Mathilda Wesendonck, Richard Wagner’s composition of Tristan und Isolde goes far beyond any simple operatic gesture. Peter Sellars’ production pours oil onto this troubled sea of emotions in an almost demateria...

Ancient of Days is a remarkable series of "canons and fugues for video" that comprises Viola's most sophisticated structural and metaphorical explorations of time. Mathematical notations of precise time-code editing were applied to construct illustra...

Viola's seminal piece, The Reflecting Pool, was made three decades ago on analogue video tape and yet could easily pass for a contemporary digital piece; in it, Viola emerges as central protagonist from a thick forest into a clearing filled by an art...

"I Do Not Know What It Is that I Am Like" juxtaposes images of animals, both wild and domestic, and natural environments with human activity as it takes place in an apartment, and during a fire walking ceremony in Fiji. Documentary-style footage is c...

The Quintet of the Astonished shows the unfolding expressions of five actors in such extreme slow motion that every minute detail of their changing facial expressions and movements can be detected. In this piece artist Bill Viola explores the cathart...

Internationally acclaimed and award-winning video installation artist Bill Viola juxtaposes personal pictures of his mother's death with images of his own son's birth to explore foundational and potent themes of beginnings and endings, the cycle of l...

Hailed as the "Rembrandt of the Video Age," renowned American artist Bill Viola became the first contemporary artist ever to be featured in a one-man show at London's prestigious National Gallery. This documentary directed by Mark Kidel features rare...

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles....

Moving through its five parts, the work describes a cycle of birth through to death, depicting both an eternal, universal Mary, and an earthly Mary representing human life on Earth....

A documentary short in Chott el-Djerid....

The rituals and philosophies of indigenous non-Western cultures recur throughout Viola's work. In 1976, he travelled to the Solomon Islands with portable color video equipment, which was then a new technology. The first of two "visionary documentarie...

This diptych opens with the image of two parallel streams of falling water. A female torso moves into the background of the left screen while a male torso mirrors her on the right. Both figures move slowly to the foreground and into the light, cuppin...

With a title referring to Japanese folklore, wherein things done on the first day of a new year are significant, the film - an ardent dream entirely shot in Japan - stands as a spiritual allegory equating light and dark with life and death....

"Reverse Television" was created in the mid-1980's by video artist Bill Viola. The 30-second portraits were about portraiture and the idea of a person staring at the viewer (as the viewer stares at the TV screen). Conceived of as a "micro-series," th...

Using a camera moving along a predetermined path to create the effect of a simulated zoom, Sweet Light refers to the seduction of illumination, focusing on the phototropic vision of a moth. Writes Viola, "A moth emerges from a discarded letter as the...

Offering a series of encounters at the intersection between life and death, the work documents a succession of people slowly emerging out of darkness and moving into the light, where Viola's figures are like those of a modern day Orpheus....