Movies: Teo Hernández

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each...

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All of history, that of Christ or any other, permeates the world, leaves its mark, modifying and informing history, and all that the human reproduces and creates. The best way for historical interpretation or literary adaptation is to move as far as ...

Experimental short by Teo Hernández....

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York)....

Magical Super-8 (shown on 16mm) single frame portrait of the Notre Dame cathedral featuring luminous light and a dense score incorporating players from the square. - Early Monthly Segments...

Outtakes from the movie....

"In 1968, during a stay in London, I could finally achieved my first film: 14, BINA GARDEN. A camera wanders into the decor of a room ..."...

An autobiographical film that orchestrates the fragments of Michel Nedjar's life, to compose an architecture. The family films shot by his father, pieces of Michel's first films shot in the Balearic Islands and in Athens, contemporary images with Teo...

The banner of the Cannes Festival shows its three premises: glory, money and politics. If you film the banal, the naive and the superficial of the atmosphere in Cannes at that time, it is for nothing more than to rescue the beauty of the water of its...

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Discarded images from the movie “Midi” (1985) mounted to give rise to a new film....

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Images of the filming process of Bernardo Montet on a beach....

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Eyes and ears travel discontinuously through everyday life and the sub-worlds of the city and the body. A fragmented and subjective day-to-day chronicle that outlines a recurring obsession for registering even the most ordinary things, where the leas...

Teo Hernandez films the water of the Seine and its reflections for a film at once material and luminous....

A personal interpretation of Oscar Wilde Salome from three basic elements: the light, the color, and the projection speed....

The tetralogy pieces are dominated by the concept and presence of death, foreclosure, fetal vertigo. As such, CRISTAUX is a real descent into an inner labyrinth, which we do not know if it is organic or cultural. At the same time, the film contains a...

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